This book presents extensive research into the cinematic representation of the British-identifying Protestant, unionist and loyalist community in Northern Ireland and is the first time such comprehensive analysis has been produced. Gallaghers research traces the history of the communitys representation in cinema from the emergence of depictions of both nationalist and unionist communities in social-realist dramas in 1980s British and Irish cinema to today, through periods such as those focused on violent paramilitaries in the 1990s and irreverent comedy after the Northern Ireland peace process. The book addresses the perception that the Irish nationalist community has been depicted more frequently and favourably than unionism in films about the period of conflict known as The Troubles. Often argued to be the result of an Irish nationalist bias within Hollywood, Gallagher argues that there are other inherent and systemic reasons for this cinematic deficit.
Richard Gallagher is from Donegal, Ireland, and was awarded a PhD from Queens University Belfast in 2021. He has published an article inAlphaville: Journal of Film and Screen Media titled The Troubles Crime Thriller and the Future of Films about Northern Ireland. A forthcoming article titled Unionist Screws: Analysing a Primary Approach to Depicting Northern Irish Unionists in British and Irish Cinema will be published in theJournal of British Cinema and Television.
Schlagwörter zu:
Screening Ulster von Richard Gallagher - mit der ISBN: 9783031234361
British Cinema; Irish Cinema; Loyalism; Northern Ireland; Orange Order; Protestantism; Representation; The Troubles; Unionism; B; European Film and TV; History of Britain and Ireland; Literature, Cultural and Media Studies, Online-Buchhandlung
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