Essays on the History of English Music in Honour of John Caldwell (EPDF) von Emma Hornby

Articles on English music, from the medieval period to the present day, centred on four of the major areas of scholarly enquiry.

Introduction - Emma Hornby
Traces of Lost Late Medieval Offices? TheSanctilogium Angliae, Walliae, Scotiae, et Hiberniae of John of Tynemouth [fl.1350] - Sally Harper
The saints venerated in medieval Peterborough as reflected in the antiphoner Cambridge, Magdalene College, F.4.10 - David Hiley
Interactions between Brittany and Christ Church, Canterbury in the tenth century: the Linenthal leaf - Emma Hornby
A new source of late seventeenth- and early eighteenth-century English harpsichord music by Barrett, Blow, Clarke, Croft, Purcell and others - H. Diack Johnstone
The earliest fifteenth-century transmission of English music to the continent - Margaret Bent
'Phantasy mania': Quest for a National Style
Purcell's 1694 Te Deum and Jubilate: its Successors, and its Performance History
Imitative counterpoint in mid-fifteenth-century English Mass settings - Reinhard Strohm
Double cantus firmus compositions in the Eton Choirbook - Magnus Williamson
Englishness in a Kyrie [Mis]attributed to Du Fay - Peter Wright
Continuity, discontinuity, fragments and connections: the organ in church c.1500-1640 - John Harper
'As the Sand on the Sea Shore': Women Violinists in London's Concert Life around 1900 - Simon McVeigh
The carol in Anglo-Saxon Canterbury
Luisa de Carvajal y Mendoza and music in an English Catholic house in 1605 - Owen Rees
Music in Oxford, 1945-1960: The years of change - Susan Wollenberg
Three Anglican Church Historians on Liturgy and Psalmody in the Ancient Synagogue and the Early Church - John Arthur Smith
Histories of British Music and the Land Without Music: National Identity and the Idea of the Hero
Epilogue: John Caldwell [1938- ]: Scholar, Composer, Teacher, Musician -