The <I>Comedia</I> in English (EPDF) von Susan Paun de García

How should a seventeenth-centry Spanish verse play be presented to a contemporary English-speaking audience?

TheComedia in English: An Overview of Translation and Performance
TranslatingComedias into English Verse for Modern Audiences - Dakin Matthews
Translating the PolymetricComedia for Performance [with Special Ref erence to Lope de Vega's Sonnets] - Victor Dixon
Lope de Vega in English: The Historicised Imagination - David Johnston
Found in Translation: María de Zaya'sFriendship Betrayed and the En glish-Speaking Stage - Catherine Larson
Transformation and Fluidity in the Translation of Classical Texts for Perfo rmance: The Case of Cervantes'sEntremeses - Dawn L. Smith
Translation as Relocation - Ben Gunter
RehearsingSpite for Spite - Michael Halberstam
DirectingDon Juan, The Trickster Of Seville - Anne McNaughton
Directing theComedia: Notes on a Process
Tirso's Tamar Untamed: A Lesson of the Royal Shakespeare Company's Producti on - Jonathan W. Thacker
The Loss of Context and the Traps of Gender in Sor Juana'sLos empeños de una casa/House of Desires - Catherine M. Boyle
Tirso'sBurlador de Sevilla as Playtext in English - James Parr
Anne McNaughton'sDon Juan: A Rogue for All Seasons - A. Robert Lauer
Aspectual, Performative, and "Foreign" Lope/Shakespeare: StagingCapulet s & Montagues andPeribáñez in English andRomeo and Juliet in "Sicilian"I> in "Sicilian" - Susan L. Fischer
Zaya's Comic Sense: The First Performance in English of La traición en la amistad - Sharon D Voros
María de Zaya's Friendship Betrayed à la Hollywood: Translation, Transculturation, and Production - Barbara Mujica