Performing Medieval Narrative (EPDF) von Evelyn Birge Vitz

Broad and wide-ranging survey of and investigation into the important question of whether medieval narrative was designed for performance.

Introduction [with Nancy Freeman Regalado and Marilyn Lawrence] - Evelyn Birge Vitz
Introduction [with Evelyn Birge Vitz and Marilyn Lawrence] - Nancy Freeman Regalado
Introduction [with Evelyn Birge Vitz and Nancy Freeman Regalado] - Marilyn Lawrence
`He was the best teller of tales in the world': Performing Medieval Welsh Narrative - Sioned Davies
The Complaint of the Makers:Wynnere and Wastoure and the `Misperformance Topos' in Medieval England - Joyce Coleman
Dioneo's Repertory: Performance and Writing in Boccaccio'sDecameron - John Ahern
Mise en Texte as Indicator of Oral Performance in Old French Verse Narrative - Keith Busby
Erotic Reading in the Middle Ages: Performance and Re-performance of Romance - Evelyn Birge Vitz
Oral Performance of Written Narrative in the Medieval French RomanceYsaÿe le Triste - Marilyn Lawrence
Performing Romance: Arthurian Interludes in Sarrasin'sLe roman du Hem [1278] - Nancy Freeman Regalado
Performing Fabliaux - Brian Levy
Preaching, Storytelling, and the Performance of Short Pious Narratives - Adrian P. Tudor
Reading, Reciting, and Performing theRenart - Kenneth Varty
Turkic Bard and Medieval Entertainer: What a Living Epic Tradition Can Tell Us about Oral Performance of Narrative in the Middle Ages - Karl Reichl
Beowulf, theEdda, and the Performance of Medieval Epic: Notes from the Workshop of a Reconstructed `Singer of Tales' - Benjamin Bagby
The Weddynge of Sir Gawen and Dame Ragnell: Performance and Intertextuality in Middle English Popular Romance - Linda Marie Zaerr
`Une aventure vous dirai': Performing Medieval Narrative - Anne Azéma
Sequels [with Nancy Freeman Regalado and Marilyn Lawrence] - Evelyn Birge Vitz
Sequels [with Evelyn Birge Vitz and Marilyn Lawrence] - Nancy Freeman Regalado
Sequels [with Evelyn Birge Vitz and Nancy Freeman Regalado] - Marilyn Lawrence