Music and Instruments of the Middle Ages (EPDF) von Tess Knighton

Essays on important topics in early music.

Introduction - Tess Knighton and David Skinner
The Progeny of Bernart de Ventadorn'sCan vei la lauzeta mover - Elizabeth Aubrey
Medieval Iberian Song in its Mediterranean Context: From Andalusianmuwashshahat to theCantigas de Santa Maria - Manuel Pedro Ferreira
The estampies of Douce 308 - Elizabeth Eva Leach
Anonymous IV and theAntiqui - Rob C. Wegman
The Development of the Latin Liturgical Psalter in England - John Caldwell
Forgotten Levers of Harmony: Where Are the Grammarians'Claviculi? - Crawford Young
The Variable-Voice Conductus - Mark Everist
Making Sense ofOmnis / Habenti: An Ars Nova Motet in England - Lisa Colton
Super omnes speciosa: Machaut Reading Vitry - Alice V. Clark
'The spirit moves me to speak of forms changed into new bodies': Anton Webern, Philippe de Vitry, and the Reception of the Ars Nova Motet - Lawrence Earp
La belle se siet: Where Dufay and Josquin Meet - David Fallows
In Search of Medieval Music in Non-Western Countries - Anna Maria Busse Berger
Where Did Our Musical Instruments Come From? - Jeremy Montagu
Instrumentalists and Changing Performance Contexts, c. 1500 - Keith Polk
Non-mensural Polyphony: Performing Plainsong - Reinhard Strohm
'Übersingen' and 'Quintieren': Non-Mensural Polyphony in Secular Repertories: Oswald von Wolkenstein and the Monk of Salzburg - Marc Lewon
From Page to Sound: Performing the Masses of Walter Frye - Andrew Kirkman