The Symphonic Poem in Britain, 1850-1950 (EPDF) von Michael Allis

The Symphonic Poem in Britain 1850-1950aims to raise the status of the genre generally, and in Britain specifically, by reaffirming British composers' confidence in dealing with literary texts.

Introduction - Michael Allis and Paul Watt
Narrative and Formal Plasticity in the British Symphonic Poem, 1850-1950 - Jeremy Dibble
The Symphonic Poem and British Music Criticism - Paul Watt
Richard Strauss's Tone Poems in Britain, 1890-1950 - David Larkin
French Connections: Debussy and Ravel's Orchestral Music in Britain from Prélude à l'après-midi d'un faune to Boléro - Barbara L. Kelly
The Rise of the Symphonic Poem in Glasgow, 1879-1916: A Documentary History - Anne-Marie Forbes and Heather Monkhouse
'A curious intricate work of the modern, but not theultra-modern, school': William Wallace's Villon - Michael Allis
Gustav Holst's Beni Mora and the Orientalist Imagination - Christopher Scheer
Symphonic Poetry, 1914: Parry's From Death To Life - Benedict Taylor
John Ireland's Mai-Dun: Composite Influences - Fiona Richards
Frank Bridge: Poems of Re-enchantment - Jonathan Clinch