Postmodernity’s Musical Pasts (EPDF) von Tina Frühauf

Covering classical to popular to neo-traditional musics, the topics covered inPostmodernity's Musical Pasts mirror the eclectic and diverse nature of the postwar era.

Introduction - Tina Fruehauf
Music and Postmodern Time - Lawrence Kramer
'Aesthetic Indigestion': Alfred Schnittke, Anachronism, and the Contemporary Cadenza's Musical Pasts - Joshua S. Walden
John Adams's Post-stylistic Approach to the Past: A Response to the Uncertain Future of a Globalized World? - Max Noubel
Germany Post Modernism and the Sphericity of Time - Laurenz Lütteken
Visions of the 'End of History', 1968, and the Emergence of 'Postmoderne Musik' in West Germany - Beate Kutschke
(Neo-)Schenkerism and the Past: Recovering a Plurality of Critical Contexts - John Koslovsky
From Bach to Neruda: Historicity and Heterogenous Temporality in the Chilean Cantata (1941-69) - Daniella Fugellie
Time Re-Covered: Double Temporality in Olga Neuwirth'sHommage à Klause Nomi - Georg Burgstaller
The Past is Home: Eduardo Martínez Torner in Postwar London -- An Exile's Nostalgia for Spanish Musicology - Susana Asensio Llamas
Historical Nostalgia, Nature, and the Future in Three Iconic Albums from 1971:AqualungWho's Next, andLed Zeppelin IV - Caitlin Carlos
Indie Neofado's Temporality: A Tale of Two Nostalgia's - Michael Arnold