Music, Myth and Story in Medieval and Early Modern Culture (EPDF) von Katherine Butler

The complex relationship between myths and music is here investigated.

Introduction
Music and the Myth of Apollo's Grove - John MacInnis
The Consolation of Philosophy and the 'Gentle' Remedy of Music - Férdia J Stone-Davis
And in England, There are Singers: Grafting Oneself into the Origins of Music - Elina G. Hamilton
The Harmonious Blacksmith, Lady Music, and Minerva: The Iconographyof Secular Song in the Late Middle Ages - Jason Stoessel
Foolish Midas: Representing Musical Judgement and Moral Judgement in Italy c.1520 - Tim Shephard
Marsilio Ficino and Girolamo Cardano under Orpheus's Spell - Jacomien Prins
Origin Myths, Genealogies, and Inventors: Defining the Nature of Musicin Early Modern England - Katherine Butler
How to Sing like Angels: Isaiah, Ignatius of Antioch, and Protestant Worship in England - Jamie Apgar
In Pursuit of Echo: Sound, Space, and the History of the Self - Ljubica Ilic
Ophelia's Mad Songs and Performing Story in Early Modern England - Samantha Bassler
Dangerous Beauty: Stories of Singing Women in Early Modern Italy - Sigrid Harris
'Fantastic Spirits': Myth and Satire in the Ayres of Thomas Weelkes - Katie Bank
Feeling Fallen: A Re-telling of the Biblical Myth of the Fall in a Musical Adaptation of Marvell's 'A Dialogue between Thyrsis and Dorinda' - Aurora Faye Martinez
'Armida's Picture we from Tasso Drew'?: The Rinaldo and Armida Story in Late-Seventeenth- and Early-Eighteenth-Century English Operatic Entertainments - Amanda Eubanks Winkler
Translating Myth Through Tunes: Ebenezer Forrest's Ballad Opera Adaptation of Louis Fuzelier'sMomus Fabuliste (1719-29) - Erica Levenson
Bibliography