Concepts of Creativity in Seventeenth-Century England (EPDF) von Rebecca Herissone

The first genuinely interdisciplinary study of creativity in early modern England

Introduction - Rebecca Herissone
'Big with New Events and some Unheard Success': Absolutism and Creativity at the Restoration Court - Andrew R. Walkling
Creativity on Several Occasions - James A. Winn
Author, Musician, Composer: Creator? Figuring Musical Creativity in Print at the Turn of the Seventeenth Century - Kirsten Gibson
Published Musical Variants and Creativity: An Overview of John Playford's Role as Editor - Stephanie Carter
Space, Text and Creativity in the Late Sixteenth and Seventeenth Centuries - Raphael Hallett
The 'Artificial Sceane': The Re-creation of Italian Architecture in John Evelyn'sDiary - Anne Hultzsch
Telling what is Told: Originality and Repetition in Rubens's English Works - Marina Daiman
Plagiarism at the Academy of Ancient Music: A Case Study in Authorship, Style and Judgement - Stephen Rose
A meeting of Amateur and Professional: Playford's 'Compendious' Collection of Two-Part AirsCourt-Ayres (1655) - John Cunningham
'Creating' Cato in Early Seventeenth-Century England - Freyja Cox Jensen
'Our Friend Venus Performed to a Miracle': Anne Bracegirdle, John Eccles and Creativity - Amanda Eubanks Winkler
Music and Manly Wit in Seventeenth-Century England - Linda Phyllis Austern