The Many Faces of Weimar Cinema (Web PDF) von Christian Rogowski

New essays re-evaluating Weimar cinema from a broadened, up-to-date perspective.

Introduction: Images and Imaginaries - Christian Rogowski
Richard Oswald and the Social Hygiene Film: Promoting Public Health or Promiscuity? - Jill Suzanne Smith
Unsettling Nerves: Investigating War Trauma in Robert Reinert'sNerven (1919)
Humanity Unleashed: Anti-Bolshevism as Popular Culture in Early Weimar Cinema - Philipp Stiasny
Desire versus Despotism: The Politics ofSumurun (1920), Ernst Lubitsch's "Oriental" Fantasy - Richard W. McCormick
Romeo with Sidelocks: Jewish-Gentile Romance in E. A. Dupont'sDas alte Gesetz (1923) and Other Early Weimar Assimilation Films - Cynthia Walk
"These Hands Are Not My Hands": War Trauma and Masculinity in Crisis in Robert Wiene'sOrlacs Hände (1924) - Anjeana Hans
The Star System in Weimar Cinema - Joseph Garncarz
Schaulust: Sexuality and Trauma in Conrad Veidt's Masculine Masquerades - Elizabeth Otto
The Musical Promise of Abstract Film - Joel Westerdale
The International Project of National(ist) Film: Franz Osten in India - Veronika Fuechtner
The Body in Time: Wilhelm Prager'sWege zu Kraft und Schönheit (1926)
Henrik Galeen'sAlraune (1927): The Vamp and The Root of Horror
The Dialectic of (Sexual) Enlightenment: Wilhelm Dieterle'sGeschlecht in Fesseln (1928) - Christian Rogowski
Babel's Business - On Ufa's Multiple Language Film Versions, 1929-1933 - Chris Wahl
"A New Era of Peace and Understanding": The Integration of Sound Film into German Popular Cinema, 1929-1932 - Ofer Ashkenazi
Landscapes of Death: Space and the Mobilization Genre in G. W. Pabst'sWestfront 1918 (1930) - John F Fetzer
Undermining Babel: Victor Trivas'sNiemandsland (1931) - Nancy P. Nenno
Unmasking Brigitte Helm and Marlene Dietrich: The Vamp in German Romantic Comedies (1930-33)