Expressionist Film -- New Perspectives (EPDF) von Dietrich Scheunemann

New essays by leading scholars giving a new picture of the variety of German expressionist cinema.

Activating the Differences: Expressionist Film and Early Weimar Cinema - Dietrich Scheunemann
Weimar Cinema, Mobile Selves, and Anxious Males: Kracauer and Eisner Revisited - Thomas Elsaesser
Revolution, Power, and Desire in Ernst Lubitsch'sMadame Dubarry - Marc Silberman
"Bringing in the Ghostly to Life": Fritz Lang and his Early Dr. Mabuse Films - Norbert Grob
Murnau--a Conservative Filmmaker? On Film History as Intellectual History - Thomas Koebner
The Double, the Décor,and the Framing Device: Once more on Robert Wiene'sCabinet of Dr. Caligari - Dietrich Scheunemann
Film as Graphic Art: On Karl Heinz Martin'sFrom Morn to Midnight - Juergen Kasten
Episodic Patchwork: The Bric-à-Brac Principle in Paul Leni'sWaxworks - Juergen Kasten
Entrapment and Escape: Readings of the City in Karl Grune'sThe Street and G. W. Pabst'sThe Joyless Street - Anthony Coulson
Fragmenting the Space: On E. A. Dupont'sVarieté - Thomas Brandlmeier
On Murnau'sFaust: A GenericGesamtkunstwerk? - Helmut Schanze
"Painting in Time" and "Visual Music": On German Avant-Garde Film of the 1920s - Walter Schobert
Ruttmann, Rhythm, and "Reality": A Response to Kracauer's Interpretation ofBerlin. Symphony of a Great City - David Macrae