A Companion to Aeschylus (E-Book) von Jacques A. Bromberg

List of Figures xii

Preface and Acknowledgements xiii

Notes on Contributors xiv

Introduction: Aeschylus and His Place in History 1
Peter Burian

Part I Aeschylus in His Time 13

1 Democracy's Age of Bronze: Aeschylus's Plays and Athenian History, 508/7454 bce 15
Robert W. Wallace

2 Aeschylus, Lyric and Epic 27
P. J. Finglass

3 Tragedy before Aeschylus 40
P. J. Finglass

4 Aeschylean Drama and Intellectual History 47
Jacques A. Bromberg

5 Aeschylus in Sicily between Tyranny and Democracy 61
Malcolm Bell, III

Part II Aeschylus as Playwright 75

6 Persians 77
A. F. Garvie

7 Seven against Thebes 88
Isabelle Torrance

8 Fear of Foreign Women in Aeschylus'sSuppliants99
Rebecca Futo Kennedy

9 Disorder, Resolution and Language: TheOresteia114
David H. Porter

10Eumenides: Justice, Gender, the Gods and the City 130
Peter Burian

11 Intertheatricality and Narrative Structure in theElectraPlays 145
Kirk Ormand

12Prometheus Bound: The Principle of Hope 158
I. A. Ruffell

13 Slices from Aeschylus's Feast: The Fragmentary Works 171
Anthony Podlecki

14 Aeschylean Satyr Drama 185
Carl Shaw

15 The Tetralogy 201
Alan H. Sommerstein

16 Visualising the Stage 214
A. C. Duncan

17 The Choruses of Aeschylus 230
Eva Stehle

18 Music, Dance and Metre in Aeschylean Tragedy 242
Naomi Weiss

19 Aeschylus: Language and Style 254
R. B. Rutherford

20 The Long View in Aeschylus: Intergenerational Myth-Making through the "Other" 267
Arum Park

Part III Aeschylus and Greek Society 281

21 Aeschylus and Subversion of Ritual 283
Richard Seaford

22 Ghosts, Demons and Gods: Supernatural Challenges 295
Amit Shilo

23 Inscribing Justice in Aeschylean Drama 310
Sarah Nooter

24 Race in Aeschylus'sSuppliant WomenandPersians323
Sarah Derbew

25 Aeschylus'sPersiansand the "Just War" 334
Sydnor Roy

26 Aeschylus and History 346
Emily Baragwanath

27 Aeschylus and Athenian Law 361
F. S. Naiden

28 Aeschylus's Athens between Hegemony and Empire 373
David Rosenbloom

Part IV The Influence of Aeschylus 389

29 Critical Approaches to Aeschylus, from the Nineteenth Century to the Present 391
Mark Griffith

30 The Reception of Aeschylus in the Fifth and Fourth Centuries 412
C. W. Marshall

31 The Transmission of Aeschylus: The Miracle of Survival 425
Marsh McCall

32 The Bow of Ulysses: Aeschylus and his Translators 437
Deborah H. Roberts

33 Variations on a Theme: Prometheus 455
Theodore Ziolkowski

34 Myth, History and Revolution in the Nineteenth-Century Reception of theOresteia467
Adam Lecznar

35 Three Landmarks in the Reception of theOresteiain Twentieth-Century Drama 479
Vayos Liapis

36Oresteiaon Stage: Koun, Stein, Hall and Mnouchkine 491
Hallie Rebecca Marshall

37 Transforming Aeschylus on the Modern Stage 505
Helene P. Foley

38 Applied Aeschylus 518
Peter Meineck

39 Teaching theOresteiaas a Work for the Theatre 533
Robin Mitchell-Boyask

Epilogue 544
Jacques A. Bromberg

Index 558

A COMPANION TO AESCHYLUS

InA Companion to Aeschylus, a team of eminent Aeschyleans and brilliant younger scholars delivers an insightful and original multi-authored examinationthe first comprehensive one in Englishof the works of the earliest surviving Greek tragedian. This book explores Aeschylean drama, and its theatrical, historical, philosophical, religious, and socio-political contexts, as well as the receptions and influence of Aeschylus from antiquity to the present day.

This companion offers readers thorough examinations of Aeschylus as a product of his time, including his place in the early years of the Athenian democracy and his immediate and ongoing impact on tragedy. It also provides comprehensive explorations of all the surviving plays, including Prometheus Bound, which many scholars have concluded is not by Aeschylus.

A Companion to Aeschylus is an ideal resource for students encountering the work of Aeschylus for the first time as well as more advanced scholars seeking incisive treatment of his individual works, their cultural context and their enduring significance. Written in an accessible format, with the Greek translated into English and technical terminology avoided as much as possible, the book belongs in the library of anyone looking for a fresh and authoritative account of works of continuing interest and importance to readers and theatre-goers alike.

Jacques A. Bromberg is Assistant Professor of Classics at the University of Pittsburgh. He has published essays on Greek literature, classical receptions in Latin America, global studies and historical globalization, and the history and philosophy of sport.

Peter Burian is Professor Emeritus of Classical Studies at Duke University. He has published essays on and translations of ancient Greek texts and the reception of classical culture in the modern world.