Arvo Pärt (EPUB) von Peter C. Bouteneff

I. Introduction
1. Arvo Pärt and the Art of Embodiment | 3
Peter C. Bouteneff, Jeffers Engelhardt, and Robert Saler

2. The Sound—and Hearing—of Arvo Pärt | 8
Peter C. Bouteneff

II. History and Context
3. Sounding Structure, Structured Sound | 25
Toomas Siitan

4. Colorful Dreams: Exploring Pärt’s Soviet Film Music | 36
Christopher J. May

5. Arvo Pärt’s Tintinnabuli and the 1970s Soviet Underground | 68
Kevin C. Karnes

III. Performance

6. The Pärt Sound | 89
Paul Hillier, in conversation with Peter Bouteneff

7. The Rest Is Silence | 107
Andrew Shenton

IV. Materiality and Phenomenology
8. Vibrating, and Silent: Listening to the Material Acoustics of Tintinnabulation | 129
Jeffers Engelhardt

9. Medieval Pärt | 154
Andrew Albin

10. The Piano and the Performing Body in the Music of Arvo Pärt: Phenomenological Perspectives | 177
Maria Cizmic and Adriana Helbig

V. Theology
11. Presence, Absence, and the Ambiguities of Ambiance:
Theological Discourse and the Move to Sound in Pärt Studies | 197
Robert Saler

12. The Materiality of Sound and the Theology of the Incarnation in the Music of Arvo Pärt | 208
Ivan Moody

13. Christian Liturgical Chant and the Musical Reorientation of Arvo Pärt | 220
Alexander Lingas

14. In the Beginning There Was Sound: Hearing, Tintinnabuli, and Musical Meaning in Sufism | 232
Sevin Huriye Yaraman

List of Contributors | 243

Index of Terms | 247

Index of Persons | 252

Works by Other Composers | 256

Works by Arvo Pärt | 257