Muthanna / Mirror Writing in Islamic Calligraphy (EPUB) von Esra Akin-Kivanc

A Note on Transcription and Translation

Introduction: Axes

Part I: A History of Mirror Writing

1. Perspectives: Previous Scholarship on Mirror Writing

2. Foundations: The Practice of Mirror Writing

3. Orientations: Reversed and Repeated Writing in Non-Arabic and Arabic Scripts

4. Convergences: Mirror Writing in Greek and Arabic

5. Diffractions: Mirror Writing in Arabic

Part II: A Theory of Mirror Writing

6. Reflections: Mirrors in Islamic Studies

7. Illuminations: A New Discourse on Mirror Writing

8. Directions: The Single-Letter Muthanna

9. Receptions: Multiletter and Multiword Muthannas

10. Projections: Calligraphic Nazires and Mobility

Conclusion: Refractions

Works Consulted

Index

Muthanna, also known as mirror writing, is a compelling style of Islamic calligraphy composed of a source text and its mirror image placed symmetrically on a horizontal or vertical axis. This style elaborates on various scripts such as Kufic, naskh, and muhaqqaq through compositional arrangements, including doubling, superimposing, and stacking. Muthanna is found in diverse media, ranging from architecture, textiles, and tiles to paper, metalwork, and woodwork. Yet despite its centuries-old history and popularity in countries from Iran to Spain, scholarship on the form has remained limited and flawed.Muthanna / Mirror Writing in Islamic Calligraphy provides a comprehensive study of the text and its forms, beginning with an explanation of the visual principles and techniques used in its creation. Author Esra Akn-Kvanc explores muthanna's relationship to similar forms of writing in Judaic and Christian contexts, as well as the specifically Islamic contexts within which symmetrically mirrored compositions reached full fruition, were assigned new meanings, and transformed into more complex visual forms. Throughout, Akn-Kvanc imaginatively plays on the implicit relationship between subject and object in muthanna by examining the point of view of the artist, the viewer, and the work of art. In doing so, this study elaborates on the vital links between outward form and inner meaning in Islamic calligraphy.

Esra Akn-Kvanc is Associate Professor of Islamic Art and Architecture at the University of South Florida's School of Art and Art History. She is author ofMustafa Âli's Epic Deeds of Artists: A Critical Edition of the Earliest Ottoman Text about the Calligraphers and Painters of the Islamic World and coauthor ofSinan's Autobiographies: Five Sixteenth-Century Texts.