Italian Ecocinema Beyond the Human (EPUB) von Elena Past

Italian Ecocinema Beyond the Human is an ecocritical study of five Italian films. It explores the ways in which on-location filming impacts the relationships between the production crew and the environment, and ultimately the story told in the resulting cinematic narrative.

Acknowledgments

Note on Translation

On Location: Italian Ecocinema

1. Hydrocarbons, Moving Pictures, Time:Red Desert

2. Location, Dirty Cinema, Toxic Waste, Storytelling:Gomorrah

3. Posthuman Collaboration, Cohabitation, Sacrifice: The Wind Blows Round

4. Silence, Cinema, More-than-Human Sound:Le quattro volte

5. Volcanoes, Transgenerational Memory, Cinema:Return to the Aeolian Islands

Epilogue

Bibliography

Index

Entangled in the hybrid fields of ecomedia studies and material ecocriticism, Elena Past examines five Italian films shot on location and ponders the complex relationships that the production crews developed with the filming locations and the nonhuman cast members. She uses these filmsRed Desert (1964),The Winds Blows Round (2005),Gomorrah (2008),Le quattro volte (2010), andReturn to the Aeolian Islands (2010)as case studies to explore pressing environmental questions such as cinema's dependence on hydrocarbons, the toxic waste crisis in the region of Campania, and our reliance on the nonhuman world. Dynamic and unexpected actors emerge as the subjects of each chapter: playful goats, erupting volcanoes, airborne dust particles, fluid petroleum, and even the sound of silence. Based on interviews with crew members and close readings of the films themselves,Italian Ecocinema Beyond the Human theorizes how filmmaking practicefrom sound recording to location scouting to managing a productionhelps uncover cinema's ecological footprint and its potential to open new perspectives on the nonhuman world.

Elena Past is Associate Professor of Italian in the Department of Classical and Modern Languages, Literatures, and Cultures at Wayne State University. She is author of Methods of Murder: Beccarian Introspection and Lombrosian Vivisection in Italian Crime Fiction, editor (with Deborah Amberson) ofThinking Italian Animals: Human and Posthuman in Modern Italian Literatureand Film, and editor (with Serenella Iovino and Enrico Cesaretti) ofItaly and the Environmental Humanities: Landscapes, Natures, Ecologies.